㰀℀䐀伀䌀吀夀倀䔀 栀琀洀氀 倀唀䈀䰀䤀䌀 ∀ⴀ⼀⼀圀㌀䌀⼀⼀䐀吀䐀 䠀吀䴀䰀 㐀⸀ 吀爀愀渀猀椀琀椀漀渀愀氀⼀⼀䔀一∀㸀ഀ 㰀䠀吀䴀䰀㸀 ഀ 㰀䠀䔀䄀䐀㸀ഀ 㰀䴀䔀吀䄀 一䄀䴀䔀㴀∀䜀䔀一䔀刀䄀吀伀刀∀ 䌀伀一吀䔀一吀㴀∀䄀搀漀戀攀 倀愀最攀䴀椀氀氀 ㌀⸀ 䨀 䴀愀挀∀㸀ഀ 㰀䴀䔀吀䄀 䠀吀吀倀ⴀ䔀儀唀䤀嘀㴀∀䌀漀渀琀攀渀琀ⴀ吀礀瀀攀∀ 䌀伀一吀䔀一吀㴀∀琀攀砀琀⼀栀琀洀氀㬀䌀䠀䄀刀匀䔀吀㴀砀ⴀ猀樀椀猀∀㸀ഀ 㰀吀䤀吀䰀䔀㸀圀漀爀欀猀 漰昀 䄰渀琀漀渀椀 䜰愀甀搀椀 ⴀ 眀眀眀⸀猀栀攀樀愀瀀愀渀⸀挀漀洀㰀⼀吀䤀吀䰀䔀㸀ഀ 㰀䰀䤀一䬀 刀䔀䰀㴀∀猀琀礀氀攀猀栀攀攀琀∀ 吀夀倀䔀㴀∀琀攀砀琀⼀挀猀猀∀ 䠀刀䔀䘀㴀∀栀攀爀椀琀愀最攀⸀挀猀猀∀㸀ഀ 㰀⼀䠀䔀䄀䐀㸀ഀ 㰀䈀伀䐀夀㸀ഀ ഀ 㰀吀䄀䈀䰀䔀 䄀䰀䤀䜀一㴀∀䰀䔀䘀吀∀ 圀䤀䐀吀䠀㴀∀㔀㤀㔀∀ 䈀伀刀䐀䔀刀㴀∀ ∀ 䌀䔀䰀䰀匀倀䄀䌀䤀一䜀㴀∀㈀∀ 䌀䔀䰀䰀倀䄀䐀䐀䤀一䜀㴀∀ ∀ഀ 䠀䔀䤀䜀䠀吀㴀∀㈀㌀㜀∀㸀ഀ 㰀吀刀㸀ഀ 㰀℀ⴀⴀ 吀椀琀氀攀 猀琀愀爀琀 ⴀⴀ㸀ഀ 㰀吀䐀 䌀伀䰀匀倀䄀一㴀∀㈀∀㸀㰀吀䄀䈀䰀䔀 圀䤀䐀吀䠀㴀∀ ─∀ 䈀伀刀䐀䔀刀㴀∀ ∀ 䌀䔀䰀䰀匀倀䄀䌀䤀一䜀㴀∀㈀∀ഀ 䌀䔀䰀䰀倀䄀䐀䐀䤀一䜀㴀∀ ∀㸀ഀ 㰀吀刀㸀ഀ 㰀℀ⴀⴀ吀椀琀氀攀 渀‰甀鉽攰豑謰ⴰⴀ㸀ഀ 㰀吀䐀 嘀䄀䰀䤀䜀一㴀∀䈀伀吀吀伀䴀∀㸀㰀䤀䴀䜀 匀刀䌀㴀∀猀瀀愀ⴀ欀漀⸀最椀昀∀ 䄀䰀吀㴀∀圀漀爀欀猀 漀昀 䄀漀渀琀漀渀椀 䜀愀甀搀椀∀ 一䄀吀唀刀䄀䰀匀䤀娀䔀䘀䰀䄀䜀㴀∀㌀∀ 䄀䰀䤀䜀一㴀∀䈀伀吀吀伀䴀∀㸀ഀ 㰀䘀伀一吀 匀䤀娀䔀㴀∀㔀∀㸀圀漀爀欀猀 漀昀 䄀漀渀琀漀渀椀 䜀愀甀搀椀㰀⼀䘀伀一吀㸀ഀ 㰀⼀吀䐀㸀 ഀ 㰀吀䐀 䄀䰀䤀䜀一㴀∀刀䤀䜀䠀吀∀ 嘀䄀䰀䤀䜀一㴀∀䈀伀吀吀伀䴀∀㸀㰀䄀 䠀刀䔀䘀㴀∀⸀⸀⼀⸀⸀⼀椀渀搀攀砀⸀栀琀洀氀∀ഀ 吀䄀刀䜀䔀吀㴀∀开琀漀瀀∀㸀㰀䤀䴀䜀 匀刀䌀㴀∀猀栀攀樀愀瀀愀渀⸀最椀昀∀ 䄀䰀吀㴀∀猀栀攀樀愀瀀愀渀⸀挀漀洀 ⴀ 氀攀愀爀渀椀渀最∀ഀ 圀䤀䐀吀䠀㴀∀㈀ ∀ 䠀䔀䤀䜀䠀吀㴀∀㌀㠀∀ 䈀伀刀䐀䔀刀㴀∀ ∀ 一䄀吀唀刀䄀䰀匀䤀娀䔀䘀䰀䄀䜀㴀∀㌀∀ 䄀䰀䤀䜀一㴀∀䈀伀吀吀伀䴀∀㸀㰀⼀䄀㸀㰀⼀吀䐀㸀 ഀ 㰀⼀吀刀㸀ഀ 㰀⼀吀䄀䈀䰀䔀㸀㰀⼀吀䐀㸀ഀ 㰀℀ⴀⴀ 吀椀琀氀攀 攀渀搀 ⴀⴀ㸀ഀ 㰀⼀吀刀㸀ഀ 㰀吀刀㸀ഀ 㰀℀ⴀⴀ 䴀愀椀渀 猀琀愀爀琀 ⴀⴀ㸀ഀ 㰀吀䐀 䌀䰀䄀匀匀㴀∀洀愀椀渀∀㸀ഀ 㰀倀㸀㰀䄀 䠀刀䔀䘀㴀∀⸀⸀⼀⸀⸀⼀椀渀搀攀砀⸀栀琀洀氀∀ 吀䄀刀䜀䔀吀㴀∀开琀漀瀀∀㸀眀眀眀⸀猀栀攀樀愀瀀愀渀⸀挀漀洀㰀⼀䄀㸀ഀ ☀最琀㬀 㰀䄀 䠀刀䔀䘀㴀∀⸀⸀⼀眀栀猀⸀栀琀洀氀∀ 吀䄀刀䜀䔀吀㴀∀开琀漀瀀∀㸀圀漀爀氀搀ഀ 䠀攀爀椀琀愀最攀猀㰀⼀䄀㸀 ☀最琀㬀 䄀渀琀漀渀椀 䜀愀甀搀椀 㰀⼀倀㸀ഀ ഀ 㰀倀㸀㰀䈀㸀儀甀椀稀㨀㰀⼀䈀㸀㰀吀䄀䈀䰀䔀 圀䤀䐀吀䠀㴀∀㐀㘀㜀∀ 䈀伀刀䐀䔀刀㴀∀∀ 䌀䔀䰀䰀匀倀䄀䌀䤀一䜀㴀∀㈀∀ഀ 䌀䔀䰀䰀倀䄀䐀䐀䤀一䜀㴀∀ ∀㸀ഀ ഀ 㰀吀刀㸀ഀ 㰀℀ⴀⴀጀ湺꼰ꐰ먰ⴰⴀ㸀ഀ 㰀吀䐀 圀䤀䐀吀䠀㴀∀㌀㌀─∀㸀ഀ 㰀倀㸀㰀䌀䔀一吀䔀刀㸀㰀䈀㸀㰀䄀 䠀刀䔀䘀㴀∀䐀攀猀挀爀椀⸀栀琀洀氀∀ 吀䄀刀䜀䔀吀㴀∀开戀氀愀渀欀∀㸀䐀攀猀挀爀椀瀀琀椀漀渀ഀ 儀甀椀稀㰀⼀䄀㸀㰀⼀䈀㸀㰀⼀䌀䔀一吀䔀刀㸀㰀⼀吀䐀㸀ഀ 㰀吀䐀 圀䤀䐀吀䠀㴀∀㌀㌀─∀㸀ഀ 㰀倀㸀㰀䌀䔀一吀䔀刀㸀㰀䈀㸀㰀䄀 䠀刀䔀䘀㴀∀吀爀甀攀⸀栀琀洀氀∀ 吀䄀刀䜀䔀吀㴀∀开戀氀愀渀欀∀㸀吀⼀䘀 儀甀椀稀㰀⼀䄀㸀㰀⼀䈀㸀㰀⼀䌀䔀一吀䔀刀㸀㰀⼀吀䐀㸀ഀ 㰀吀䐀 圀䤀䐀吀䠀㴀∀㌀㐀─∀㸀ഀ 㰀倀㸀㰀䌀䔀一吀䔀刀㸀㰀䈀㸀㰀䄀 䠀刀䔀䘀㴀∀䴀甀氀琀椀瀀氀攀⸀栀琀洀氀∀ 吀䄀刀䜀䔀吀㴀∀开戀氀愀渀欀∀㸀䴀甀氀琀椀瀀氀攀ഀ 䌀栀漀椀挀攀 儀甀椀稀㰀⼀䄀㸀㰀⼀䈀㸀㰀⼀䌀䔀一吀䔀刀㸀㰀⼀吀䐀㸀ഀ 㰀⼀吀刀㸀ഀ 㰀⼀吀䄀䈀䰀䔀㸀㰀⼀倀㸀ഀ 㰀℀ⴀⴀ搀枍捖弰퉖溉ⴰ歎尰Տ満댰젰䰰攰譑ⴰⴀ㸀ഀ 㰀倀㸀㰀䐀䤀嘀 挀氀愀猀猀㴀∀昀爀愀洀攀搀渀漀琀攀∀㸀 匰渰눰䲊枘唰鉏萰贰䘰䬰栰掏昰䐰弰栰䴰欰İ田栰䬰止地弰ⰰ䱧갰윰ꌰ尰셏湔餰ὑ왷枖地弰Ȱര 尀셏湔뤰넰ﰰ渰✰䵙唰萰İ0摎0摎渰〰䭽䐰栰匰贰縰朰࠰鞊啻谰弰侮쥞楻歲䔰蚛坎縰地弰Ȱ縰弰İ︰湎ര 섀䱹謰暉舰ᴰ䑓ᴰ栠漰ἰ塡唰嬰樰䐰尰셏歔࠰玂鉔İ慣縰地弰Ȱര 匀谰舰唰䭏渰İ恾栰ᴰ䑠ర쫿ౖꈰ젰쬰ꨰאּ갰윰ꌰ渰尰셏왔ඖ《に取り組みました。サグラダ・ファミリア(聖家族教会)や、グエル公園などഀ 少しでも、ガウディの作品の良いところを紹介できればと思っています。ഀ ഀ 青山学院 経済学科 経済学部 新関沙織ഀ
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Gaudí's first works were designed in the style of ഀ
gothic and traditional Spanish architectural modes, butഀ
he soon developed his own distinct sculptural style. ഀ
French architect Eugene Viollet-le-Duc, who promoted an ഀ
evolved form of gothic architecture, proved a major influence ഀ
on Gaudí. But the student surpassed the master architect and ഀ
contrived highly original designs – irregular and fantastically ഀ
intricate. Some of his greatest works, most notably La Sagrada ഀ
Família, have an almost hallucinatory power.
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Artistic Styleഀ
He integrated the parabolic arch and hyperboloid structures, ഀ
nature's organic shapes, and the fluidity of water into his ഀ
architecture. While designing buildings, he observed the forces ഀ
of gravity and related catenary principles. (Gaudí designed many ഀ
of his arches upside down by hanging various weights on ഀ
interconnected strings, using gravity to calculate catenaries ഀ
for a natural curved arch.)
On June 8, 1926, Antoni Gaudí was run over by a tram. ഀ
Because of his ragged attire and empty pockets, multiple cab ഀ
drivers refused to pick him up for fear that he would be unable ഀ
to pay the fare.He died two days later on June 10, 1926, half of ഀ
Barcelona mourning his death. It was, perhaps, fitting that he ഀ
was buried in the midst of his unfinished masterpiece, La Sagrada ഀ
Família.ഀ
1878–1879: Lampposts for the Plaça Real at Barcelonaഀ
1878: Showcase for glove manufacturer Comella. Via this work, used ഀ
at the World's Fair in Paris, Eusebi Güell came to know the architect.ഀ
1883–1885: Casa Vicensഀ
1884–1891: Completion of the crypt of the Sagrada Familia ഀ
(the crypt had been started by the architect Francisco del Villar in 1882, ഀ
who had to abandon the project in 1883); ഀ
1886–1889: Palau Güell
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引用先
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wikipedia Gaudi
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UNESCO World Heritage Center
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