਍㰀℀䐀伀䌀吀夀倀䔀 栀琀洀氀 倀唀䈀䰀䤀䌀 ∀ⴀ⼀⼀圀㌀䌀⼀⼀䐀吀䐀 䠀吀䴀䰀 㐀⸀　㄀ 吀爀愀渀猀椀琀椀漀渀愀氀⼀⼀䔀一∀㸀ഀ ਍㰀䠀吀䴀䰀㸀 ഀ ਍㰀䠀䔀䄀䐀㸀ഀ ਍㰀䴀䔀吀䄀 一䄀䴀䔀㴀∀䜀䔀一䔀刀䄀吀伀刀∀ 䌀伀一吀䔀一吀㴀∀䄀搀漀戀攀 倀愀最攀䴀椀氀氀 ㌀⸀　䨀 䴀愀挀∀㸀ഀ ਍㰀䴀䔀吀䄀 䠀吀吀倀ⴀ䔀儀唀䤀嘀㴀∀䌀漀渀琀攀渀琀ⴀ吀礀瀀攀∀ 䌀伀一吀䔀一吀㴀∀琀攀砀琀⼀栀琀洀氀㬀䌀䠀䄀刀匀䔀吀㴀砀ⴀ猀樀椀猀∀㸀ഀ ਍㰀吀䤀吀䰀䔀㸀䠀椀猀琀漀爀椀挀 䌀攀渀琀爀攀 漀昀 琀栀攀 䌀椀琀礀 漀昀 倀椀攀渀稀愀 ⴀ 眀眀眀⸀猀栀攀樀愀瀀愀渀⸀挀漀洀㰀⼀吀䤀吀䰀䔀㸀ഀ ਍㰀䰀䤀一䬀 刀䔀䰀㴀∀猀琀礀氀攀猀栀攀攀琀∀ 吀夀倀䔀㴀∀琀攀砀琀⼀挀猀猀∀ 䠀刀䔀䘀㴀∀栀攀爀椀琀愀最攀⸀挀猀猀∀㸀ഀ ਍㰀⼀䠀䔀䄀䐀㸀ഀ ਍㰀䈀伀䐀夀㸀ഀ ਍㰀吀䄀䈀䰀䔀 䄀䰀䤀䜀一㴀∀䰀䔀䘀吀∀ 圀䤀䐀吀䠀㴀∀㔀㤀㔀∀ 䈀伀刀䐀䔀刀㴀∀　∀ 䌀䔀䰀䰀匀倀䄀䌀䤀一䜀㴀∀㈀∀ 䌀䔀䰀䰀倀䄀䐀䐀䤀一䜀㴀∀　∀ഀ ਍䠀䔀䤀䜀䠀吀㴀∀㈀㄀㌀㜀∀㸀ഀ ਍㰀吀刀㸀ഀ ਍㰀℀ⴀⴀ 吀椀琀氀攀 猀琀愀爀琀 ⴀⴀ㸀ഀ ਍㰀吀䐀 䌀伀䰀匀倀䄀一㴀∀㈀∀㸀 䠀椀猀琀漀爀椀挀 䌀攀渀琀爀攀 漀昀 琀栀攀 䌀椀琀礀 漀昀 倀椀攀渀稀愀㰀吀䄀䈀䰀䔀 圀䤀䐀吀䠀㴀∀㄀　　─∀ 䈀伀刀䐀䔀刀㴀∀　∀ 䌀䔀䰀䰀匀倀䄀䌀䤀一䜀㴀∀㈀∀ഀ ਍䌀䔀䰀䰀倀䄀䐀䐀䤀一䜀㴀∀　∀㸀ഀ ਍㰀吀刀㸀ഀ ਍㰀℀ⴀⴀ吀椀琀氀攀 渀‰甀鉽攰豑謰ⴰⴀ㸀ഀ ਍㰀吀䐀 嘀䄀䰀䤀䜀一㴀∀䈀伀吀吀伀䴀∀㸀㰀䤀䴀䜀 匀刀䌀㴀∀瀀椀攀渀稀愀㌀⸀樀瀀最∀ 䄀䰀吀㴀∀瀀椀攀渀稀愀∀ഀ ਍圀䤀䐀吀䠀㴀∀㌀㔀　∀ 䠀䔀䤀䜀䠀吀㴀∀㈀　　∀ 一䄀吀唀刀䄀䰀匀䤀娀䔀䘀䰀䄀䜀㴀∀㌀∀ 䄀䰀䤀䜀一㴀∀䈀伀吀吀伀䴀∀㸀㰀⼀吀䐀㸀 ഀ ਍㰀吀䐀 䄀䰀䤀䜀一㴀∀刀䤀䜀䠀吀∀ 嘀䄀䰀䤀䜀一㴀∀䈀伀吀吀伀䴀∀㸀㰀䄀 䠀刀䔀䘀㴀∀⸀⸀⼀⸀⸀⼀椀渀搀攀砀⸀栀琀洀氀∀ഀ ਍吀䄀刀䜀䔀吀㴀∀开琀漀瀀∀㸀㰀䤀䴀䜀 匀刀䌀㴀∀猀栀攀樀愀瀀愀渀⸀最椀昀∀ 䄀䰀吀㴀∀猀栀攀樀愀瀀愀渀⸀挀漀洀 ⴀ 氀攀愀爀渀椀渀最∀ഀ ਍圀䤀䐀吀䠀㴀∀㈀　　∀ 䠀䔀䤀䜀䠀吀㴀∀㌀㠀∀ 䈀伀刀䐀䔀刀㴀∀　∀ 一䄀吀唀刀䄀䰀匀䤀娀䔀䘀䰀䄀䜀㴀∀㌀∀ 䄀䰀䤀䜀一㴀∀䈀伀吀吀伀䴀∀㸀㰀⼀䄀㸀㰀⼀吀䐀㸀 ഀ ਍㰀⼀吀刀㸀ഀ ਍㰀⼀吀䄀䈀䰀䔀㸀㰀⼀吀䐀㸀ഀ ਍㰀℀ⴀⴀ 吀椀琀氀攀 攀渀搀 ⴀⴀ㸀ഀ ਍㰀⼀吀刀㸀ഀ ਍㰀吀刀㸀ഀ ਍㰀℀ⴀⴀ 䴀愀椀渀 猀琀愀爀琀 ⴀⴀ㸀ഀ ਍㰀吀䐀 䌀䰀䄀匀匀㴀∀洀愀椀渀∀㸀ഀ ਍㰀倀㸀㰀䄀 䠀刀䔀䘀㴀∀⸀⸀⼀⸀⸀⼀椀渀搀攀砀⸀栀琀洀氀∀ 吀䄀刀䜀䔀吀㴀∀开琀漀瀀∀㸀眀眀眀⸀猀栀攀樀愀瀀愀渀⸀挀漀洀㰀⼀䄀㸀ഀ ਍☀最琀㬀 㰀䄀 䠀刀䔀䘀㴀∀⸀⸀⼀眀栀猀⸀栀琀洀氀∀ 吀䄀刀䜀䔀吀㴀∀开琀漀瀀∀㸀圀漀爀氀搀ഀ ਍䠀攀爀椀琀愀最攀猀㰀⼀䄀㸀 ☀最琀㬀 䠀椀猀琀漀爀椀挀 䌀攀渀琀爀攀 漀昀 琀栀攀 䌀椀琀礀 漀昀 倀椀攀渀稀愀㰀⼀倀㸀ഀ ਍㰀倀㸀㰀䈀㸀儀甀椀稀㨀㰀⼀䈀㸀㰀吀䄀䈀䰀䔀 圀䤀䐀吀䠀㴀∀㐀㘀㜀∀ 䈀伀刀䐀䔀刀㴀∀㄀∀ 䌀䔀䰀䰀匀倀䄀䌀䤀一䜀㴀∀㈀∀ഀ ਍䌀䔀䰀䰀倀䄀䐀䐀䤀一䜀㴀∀　∀㸀ഀ ਍ഀ ਍㰀吀刀㸀ഀ ਍㰀℀ⴀⴀጀ⻿湺꼰ꐰ먰ⴰⴀ㸀ഀ ਍㰀吀䐀 圀䤀䐀吀䠀㴀∀㌀㌀─∀㸀ഀ ਍㰀倀㸀㰀䌀䔀一吀䔀刀㸀㰀䈀㸀㰀䄀 䠀刀䔀䘀㴀∀䐀攀猀挀爀椀瀀琀椀漀渀ⴀ儀甀椀稀⸀栀琀洀氀∀ 吀䄀刀䜀䔀吀㴀∀开戀氀愀渀欀∀㸀䐀攀猀挀爀椀瀀琀椀漀渀ഀ ਍儀甀椀稀㰀⼀䄀㸀㰀⼀䈀㸀㰀⼀䌀䔀一吀䔀刀㸀㰀⼀吀䐀㸀ഀ ਍㰀吀䐀 圀䤀䐀吀䠀㴀∀㌀㌀─∀㸀ഀ ਍㰀倀㸀㰀䌀䔀一吀䔀刀㸀㰀䈀㸀㰀䄀 䠀刀䔀䘀㴀∀吀䘀ⴀ儀甀椀稀⸀栀琀洀氀∀ 吀䄀刀䜀䔀吀㴀∀开戀氀愀渀欀∀㸀吀⼀䘀 儀甀椀稀㰀⼀䄀㸀㰀⼀䈀㸀㰀⼀䌀䔀一吀䔀刀㸀㰀⼀吀䐀㸀ഀ ਍㰀吀䐀 圀䤀䐀吀䠀㴀∀㌀㐀─∀㸀ഀ ਍㰀倀㸀㰀䌀䔀一吀䔀刀㸀㰀䈀㸀㰀䄀 䠀刀䔀䘀㴀∀䴀甀氀琀椀瀀氀攀ⴀ儀甀椀稀⸀栀琀洀氀∀ 吀䄀刀䜀䔀吀㴀∀开戀氀愀渀欀∀㸀䴀甀氀琀椀瀀氀攀ഀ ਍䌀栀漀椀挀攀 儀甀椀稀㰀⼀䄀㸀㰀⼀䈀㸀㰀⼀䌀䔀一吀䔀刀㸀㰀⼀吀䐀㸀ഀ ਍㰀⼀吀刀㸀ഀ ਍㰀⼀吀䄀䈀䰀䔀㸀㰀⼀倀㸀ഀ ਍㰀℀ⴀⴀ搀枍捖弰퉖溉ⴰ歎尰Տ満댰젰䰰攰譑ⴰⴀ㸀ഀ ਍㰀倀㸀㰀䐀䤀嘀 挀氀愀猀猀㴀∀昀爀愀洀攀搀渀漀琀攀∀㸀쨀偖椀攀渀稀愀鈀혰詓ര上げた理由としては、以前からPienzaという街の਍䵔潒帰䒀弰匰栰䰰䈰訰縰地弰䰰İ匰渰蠰浣杩뼰禊謰縰朰漰İ椰錰樰地檈渰䬰İ唰䱏र൧吊なのかなどのPienzaに関する知識が全くありませんでした。けれども、調べていくうちにPienzaの街全体がとても魅力的で独特の雰囲気を醸し出しており、ぜひ一度足を運んでみたいと思わせてくれたからです。街自体はとても小さく、実際にPienzaに旅行されている方々の感想でも街を全て歩き回っても1時間程しかかからないそうです。しかし、そのような街だからこそ誰でもPienzaの街全体の雰囲気などを肌で感じることが出来るのだと思います。　　　　　　　　経済学部３年B組４番　　荒木淳　

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Pre-reading Questions:
਍ഀ 1. What country਍ഀ is Pienza in?
਍ഀ 2. How did Pienza become such a historical city?
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Historic Centre of the City of Pienza, Italy
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਍ഀ Inscribed :1996 Criteria: (ⅰ) (ⅱ) (ⅳ)
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਍ഀ Brief description:
਍ഀ It was in this Tuscan town that renaissance town-planning concepts were first put into practice after Pope Pius Ⅱ decided , in 1459 , to transform the look of his birth place. He chose the architect Bernardo Rossellino , who applied the principals of his mentor , Leon Battista Albarti. This new vision of urban space was realized in the superb square known as Piazza Pio Ⅱ and the buildings around it : the Piccolomini Palace , the Borgia Palace and the cathedral with its pure Renaissance exterior and an interior in the late Gothic style of south German churches.
਍ഀ Comune di Pienza਍ഀ (Only in Italian)
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Reading Passage
਍ഀ Pienza , a small town near Siena , is a rare example of Renaissance town building. Defind , from time to time , the "ideal city" , the "utopian city" , it represents one of the best planned Renaissance towns , where a model of ideal living and governing was realized thus working out the idea of a town able to satisfy the need for a pacific , civil and hardworking living. It represented the so called utopia of thevainly cherished by people for centuries. Pienza has a present two museums , a third one into being. Its location in the middle of Val d’Orcia , a wonderful and untouched valley , enable the town to perfectly embody the basic interest which the humanistic architecture gave to the relationship man – nature.
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਍ഀ ਍ഀ 　਍ഀ 　Nowadays Pienza is part of a territorial system called "Parco artistico , naturale e culturale della Val d’Orcia " , which aims at preservation of the extraordinary artistic heritage of the five boroughs which constitute it : Castiglion d’Orcia , Montalcino , San Quirico d’Orcia , Radicofani and Pienza. The center of Pienza was completely redesigned by Pope PiusⅡ in Renaissance times.

(1)He planned to transform his birthplace into a model Renaissance town.
The architect Bernardo Rossellino was
commissioned
to build a Duomo , papal palace and town hall , the construction ware completed in three years.

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਍ഀ "Duomo"
਍ഀ The Duomo was built by the architect Rossellino (1459) and is now suffering from serious subsidence at its eastern end. There were cracks in the walls and floor of the nave , but the splendid classical proportions are remained incract. It is flooded with light from the vast strained glass windows request by PiudⅡ ; he wanted a domus vitrea (literally "a house of glass") , which would symbolize the spirits of intellectual enlightenment of the Humanist age.

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਍ഀ "Palazzo Piccolomini"
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(2)The palazzo is next door to the Duomo and was home to PiusⅡ’s descendants until 1968.
Rossellino‘s design for the building was influenced by Leon Battista Alberti’s Palazzo Rucellai in Florence. The apartments open to the public include PiusⅡ‘s bedroom and library. At the rear of the palazzo there is an ornate arcaded courtyard and a triple-tiered loggia looking out on the garden. From here there are spectacular views across to the wooded slopes of the Monte Amiata.

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਍ഀ "Pieve di Corsignano"
਍ഀ Pope PiusⅡ was baptized in this 11 th century Romanesque parish church on the outskirts of Pienza. It has an unusual round tower and a doorway decorated with flower mythological motifs. A crib is sculptured on the architrave of the side doorway.

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ピエンツァは、シエナの南、モンテプルチャ―ノとサン・クイリコ・ドルチアの間、トスカーナの雄大なパノラマを見晴らせる小高い丘の頂਍歎侮晞褰谰弰༰啜樰地枈夰Ȱᠰ湎ര上に建設された小さな街ということでは周辺の他の街と変わりませんが、ピエンツァが大きく異なる点は、この街がローマ教皇ピウス二世の命によってルネサンス期に新しく誕生した「理想郷਍朰䈰謰栰䐰䘰뤰杰夰Ȱര ਍ഀ ਍倀愀爀挀漀 愀爀琀椀猀琀椀挀漀 Ⰰ 渀愀琀甀爀愀氀攀 攀 挀甀氀琀甀爀愀爀攀 搀攀氀氀愀 嘀愀氀 搀ᤀ传爀挀椀愀⸀ࠀꄰ攰짿섰踰卿ﮈ㚁ﭱ蜰ᙥ汓ቑॗ㳿⼀䐀䤀嘀㸀㰀⼀倀㸀ഀ ਍㰀⼀吀䐀㸀ഀ ਍㰀℀ⴀⴀ 䴀愀椀渀 攀渀搀 ⴀⴀ㸀ഀ ਍㰀℀ⴀⴀ 一漀琀攀猀 猀琀愀爀琀 瑓湐渰漀琀攀猀渀ڐ䱒匰匰䬰褰쬰繙謰‰ⴀⴀ㸀ഀ ਍ഀ ਍㰀吀䐀 䌀䰀䄀匀匀㴀∀渀漀琀攀猀∀㸀ഀ ਍㰀䈀刀㸀ഀ ਍㰀䈀刀㸀ഀ ਍㰀䈀刀㸀ഀ ਍㰀䈀刀㸀ഀ ਍㰀䈀刀㸀ഀ ਍㰀䈀刀㸀ഀ ਍㰀䈀刀㸀ഀ ਍㰀䈀刀㸀ഀ ਍㰀䈀刀㸀ഀ ਍㰀䈀刀㸀ഀ ਍㰀䈀刀㸀ഀ ਍㰀䈀刀㸀ഀ ਍㰀䈀刀㸀ഀ ਍㰀䈀刀㸀ഀ ਍ഀ ਍㰀䈀刀㸀ഀ ਍㰀䈀刀㸀ഀ ਍㰀䈀刀㸀ഀ ਍㰀䈀刀㸀ഀ ਍㰀䈀刀㸀ഀ ਍㰀䈀刀㸀ഀ ਍㰀䈀刀㸀ഀ ਍㰀䈀刀㸀ഀ ਍㰀䈀刀㸀ഀ ਍㰀䈀刀㸀ഀ ਍㰀䈀刀㸀ഀ ਍㰀䈀刀㸀ഀ ਍㰀䈀刀㸀ഀ ਍㰀䈀刀㸀ഀ ਍㰀䈀刀㸀ഀ ਍㰀䈀刀㸀ഀ ਍㰀䈀刀㸀ഀ ਍㰀䈀刀㸀ഀ ਍㰀䈀刀㸀ഀ ਍㰀䈀刀㸀ഀ ਍㰀䈀刀㸀ഀ ਍㰀䈀刀㸀ഀ ਍㰀䈀刀㸀ഀ ਍㰀䈀刀㸀ഀ ਍㰀䈀刀㸀ഀ ਍㰀䈀刀㸀ഀ ਍㰀䈀刀㸀ഀ ਍㰀䈀刀㸀ഀ ਍㰀䈀刀㸀ഀ ਍㰀䈀刀㸀ഀ ਍㰀䈀刀㸀ഀ ਍㰀䈀刀㸀ഀ ਍㰀䈀刀㸀ഀ ਍㰀䈀刀㸀ഀ ਍㰀䈀刀㸀ഀ ਍㰀䈀刀㸀ഀ ਍㰀䈀刀㸀ഀ ਍㰀䈀刀㸀ഀ ਍㰀䈀刀㸀ഀ ਍㰀䈀刀㸀ഀ ਍㰀䈀刀㸀ഀ ਍㰀䈀刀㸀ഀ ਍㰀䈀刀㸀ഀ ਍㰀䈀刀㸀ഀ ਍㰀䈀刀㸀ഀ ਍㰀䈀刀㸀ഀ ਍㰀䈀刀㸀ഀ ਍㰀䈀刀㸀ഀ ਍㰀䈀刀㸀ഀ ਍㰀䈀刀㸀ഀ ਍㰀䈀刀㸀ഀ ਍㰀䈀刀㸀ഀ ਍㰀䈀刀㸀ഀ ਍㰀䈀刀㸀ഀ ਍㰀䈀刀㸀ഀ ਍㰀䈀刀㸀ഀ ਍㰀䈀刀㸀㰀䈀㸀一漀琀攀猀㰀⼀䈀㸀㰀䈀刀㸀ഀ ਍㰀䈀刀㸀ഀ ਍刀攀渀愀椀猀猀愀渀挀攀㰀䈀刀㸀ഀ ਍촰따뤰㰰䈀刀㸀ഀ ਍㰀䈀刀㸀ഀ ਍嘀愀氀 搀ᤀ传爀挀椀愀㰀䈀刀㸀ഀ ਍ꄰאּ줰섰㰰䈀刀㸀ഀ ਍⠀준섰ጰ㝮⦌㰀䈀刀㸀ഀ ਍㰀䈀刀㸀ഀ ਍戀漀爀漀甀最栀 㰀䈀刀㸀ഀ ਍㨀㱵䈀刀㸀ഀ ਍㰀䈀刀㸀ഀ ਍䌀愀猀琀椀最氀椀漀渀 搀ᤀ传爀挀椀愀㰀䈀刀㸀ഀ ਍꬀뤰옰ꌰꨰﰰ촰אּ줰섰㰰䈀刀㸀ഀ ਍㰀䈀刀㸀ഀ ਍䴀漀渀琀愀氀挀椀渀漀㰀䈀刀㸀ഀ ਍뼰섰ﰰ츰㰰䈀刀㸀ഀ ਍㰀䈀刀㸀ഀ ਍匀愀渀 儀甀椀爀椀挀漀 搀ᤀ传爀挀椀愀㰀䈀刀㸀ഀ ਍딀אּ꼰꘰ꌰ댰אּ줰섰㰰䈀刀㸀ഀ ਍㰀䈀刀㸀ഀ ਍刀愀搀椀挀漀昀愀渀椀㰀䈀刀㸀ഀ ਍윰ꌰ댰픰ꄰ쬰㰰䈀刀㸀ഀ ਍㰀䈀刀㸀ഀ ਍瀀愀氀愀挀攀㰀䈀刀㸀ഀ ਍글뽛㱫䈀刀㸀ഀ ਍㰀䈀刀㸀ഀ ਍䐀甀漀洀漀㰀䈀刀㸀ഀ ਍✀噙ʀ㱘䈀刀㸀ഀ ਍㰀䈀刀㸀ഀ ਍渀愀瘀攀㰀䈀刀㸀ഀ ਍⠀夀ᩥɏ湘⤰꬀쪎㱞䈀刀㸀ഀ ਍㰀䈀刀㸀ഀ ਍攀渀氀椀最栀琀攀渀洀攀渀琀㰀䈀刀㸀ഀ ਍匀饕䮄햐㱒䈀刀㸀ഀ ਍㰀䈀刀㸀ഀ ਍倀愀氀愀稀稀漀 倀椀挀挀漀氀漀洀椀渀椀㰀䈀刀㸀ഀ ਍퐀쌰댰ﰰ쬰⠰㲙䈀刀㸀ഀ ਍㰀䈀刀㸀ഀ ਍倀愀氀愀稀稀漀 刀甀挀攀氀氀愀椀㰀䈀刀㸀ഀ ਍섰ꜰ쌰ꐰ기뽛㱫䈀刀㸀ഀ ਍㰀䈀刀㸀ഀ ਍琀爀椀瀀氀攀ⴀ琀椀攀爀攀搀㰀䈀刀㸀ഀ ਍ጀ뗿鉫樰地弰㰰䈀刀㸀ഀ ਍㰀䈀刀㸀ഀ ਍倀椀攀瘀攀 搀椀 䌀漀爀猀椀最渀愀渀漀㰀䈀刀㸀ഀ ਍대뜰쬰ﰰ츰夰ᩥ㱏䈀刀ऀര ਍㰀䈀刀㸀ഀ ਍㰀⼀吀䐀㸀㰀℀ⴀⴀ 一漀琀攀猀 攀渀搀 ⴀⴀ㸀 ഀ ਍㰀⼀吀刀㸀ഀ ਍㰀℀ⴀⴀ 圀攀戀 匀椀琀攀 猀琀愀爀琀 꼰옰ⶖⴀ㸀ഀ ਍㰀吀刀㸀ഀ ਍㰀吀䐀 䌀伀䰀匀倀䄀一㴀∀㈀∀ 䌀䰀䄀匀匀㴀∀眀攀戀∀㸀㰀䈀㸀圀攀戀 匀椀琀攀猀㰀⼀䈀㸀㰀䈀刀㸀ഀ ਍㰀䈀刀㸀ഀ ਍㰀䄀 䠀爀攀昀㴀∀栀琀琀瀀㨀⼀⼀眀眀眀⸀瀀椀攀渀稀愀⸀椀渀昀漀⼀洀愀瀀瀀攀⸀瀀栀瀀∀㸀倀椀攀渀稀愀⸀椀渀昀漀㰀⼀䄀㸀㰀䈀刀㸀ഀ ਍㰀䄀 䠀爀攀昀㴀∀ 栀琀琀瀀㨀⼀⼀眀眀眀⸀瀀椀攀渀稀愀⸀挀漀洀⼀∀㸀倀椀攀渀稀愀㰀⼀䄀㸀㰀䈀刀㸀ഀ ਍㰀䄀 䠀爀攀昀㴀∀栀琀琀瀀㨀⼀⼀攀渀⸀眀椀欀椀瀀攀搀椀愀⸀漀爀最⼀眀椀欀椀⼀倀椀攀渀稀愀∀㸀圀椀欀椀瀀攀搀椀愀 㰀⼀䄀㸀㰀䈀刀㸀ഀ ਍㰀䄀 䠀爀攀昀㴀∀栀琀琀瀀㨀⼀⼀眀眀眀⸀琀漀猀挀愀渀愀瘀椀瘀愀⸀挀漀洀⼀倀椀攀渀稀愀⼀倀椀攀渀稀愀⸀栀琀洀∀㸀吀漀猀挀愀渀愀瘀椀瘀愀⸀挀漀洀㰀⼀䄀㸀㰀䈀刀㸀ഀ ਍㰀䄀 䠀爀攀昀㴀∀栀琀琀瀀㨀⼀⼀眀眀眀⸀愀戀挀琀甀猀挀愀渀礀⸀挀漀洀⼀猀椀攀渀愀⼀瀀椀攀渀稀愀⼀椀渀搀攀砀⸀挀昀洀∀㸀嘀椀氀氀愀猀 椀渀 吀漀猀挀愀渀愀㰀⼀䄀㸀㰀䈀刀㸀ഀ ਍㰀䄀 䠀爀攀昀㴀∀栀琀琀瀀㨀⼀⼀眀眀眀⸀椀琀愀氀椀愀⸀最爀⸀樀瀀⼀挀椀琀琀愀⼀琀漀猀挀愀渀愀⼀瀀椀攀渀稀愀⸀栀琀洀氀∀Ḁ퓿꠰쐰ꄰ渰㨰㱵⼀䄀㸀㰀䈀刀㸀ഀ ਍㰀⼀吀䐀㸀ഀ ਍ഀ ਍㰀⼀吀刀㸀㰀℀ⴀⴀ 圀攀戀 匀椀琀攀 攀渀搀 ⴀⴀ㸀ഀ ਍㰀吀刀㸀ഀ ਍㰀℀ⴀⴀ 䈀漀琀琀漀洀 一愀瘀椀 猀琀愀爀琀 ⴀⴀ㸀ഀ ਍㰀吀䐀 䌀䰀䄀匀匀㴀∀戀开渀愀瘀椀∀ 䌀伀䰀匀倀䄀一㴀∀㈀∀㸀ഀ ਍㰀倀㸀㰀䄀 䠀刀䔀䘀㴀∀⸀⸀⼀⸀⸀⼀椀渀搀攀砀⸀栀琀洀氀∀ 吀䄀刀䜀䔀吀㴀∀开琀漀瀀∀㸀眀眀眀⸀猀栀攀樀愀瀀愀渀⸀挀漀洀㰀⼀䄀㸀ഀ ਍☀最琀㬀 㰀䄀 䠀刀䔀䘀㴀∀⸀⸀⼀眀栀猀⸀栀琀洀氀∀ 吀䄀刀䜀䔀吀㴀∀开琀漀瀀∀㸀圀漀爀氀搀ഀ ਍䠀攀爀椀琀愀最攀猀㰀⼀䄀㸀 ☀最琀㬀 䠀椀猀琀漀爀椀挀 䌀攀渀琀爀攀 漀昀 琀栀攀 䌀椀琀礀 漀昀 倀椀攀渀稀愀㰀䈀刀㸀ഀ ਍㰀䐀椀瘀 䄀氀椀最渀㴀∀爀椀最栀琀∀㸀戀礀 䨀甀渀 䄀爀愀欀椀㰀䈀刀㸀ഀ ਍㰀倀㸀㰀⼀倀㸀ഀ ਍㰀倀㸀㰀⼀倀㸀ഀ ਍㰀倀㸀㰀⼀倀㸀ഀ ਍㰀䘀伀一吀 匀䤀娀䔀㴀∀ⴀ㈀∀㸀☀⌀㄀㘀㤀㬀 ㈀　　㠀 匀䠀䔀䨀愀瀀愀渀⸀挀漀洀㰀⼀䘀伀一吀㸀㰀⼀䐀椀瘀㸀㰀⼀倀㸀ഀ ਍㰀℀ⴀⴀ 䈀漀琀琀漀洀 一愀瘀椀 攀渀搀 ⴀⴀ㸀ഀ ਍㰀⼀吀刀㸀ഀ ਍㰀⼀吀䄀䈀䰀䔀㸀ഀ ਍㰀⼀䈀伀䐀夀㸀ഀ ਍㰀⼀䠀吀䴀䰀㸀 ഀ ਍ഀ ਍਀